I bought this on a whim, as I buy almost all things and virtually nothing. Everything is deeply considered and then suddenly, radically, impulsive. So I bought this knowing that I found The Vegetarian frequently beguiling, ultimately kind of frustrating. And knowing that I have Human Acts sitting on my desk, part of a ‘To Read’ pile that’s been gathering dust for months now, left trailing impulse buys like the aforementioned. And The White Book was in the Man Booker Shortlist section, so I knew that it was probably good. And the quotes seemed almost excessively laudatory. And it was short. Really short. 161 pages short. That’s the dream. Continue reading
Category Archives: Review
HOORAY FOR PARQUET COURTS!
“Expansion, not a compromise…warm, angry, and thoughtful, confident, melodic, and hard-rocking…”. It’s a big comparison, but it fits to me. That above is how Robert Christgau described The Clash’s London Calling. Continue reading
Arcade Fire//Everything Now Review
“We’ve all got this “literary” fiction that simply monotones that we’re all becoming less and less human…and we all buy the books and go like “Golly, what a mordantly effective commentary on contemporary materialism!” But we already “know” U.S. culture is materialistic. This diagnosis can be done in about two lines.” – David Foster Wallace to Larry McCaffrey
How about “Infinite content/We’re infinitely content”?
Arcade Fire have never sounded so shallow, tired or cynical. It’s been coming for a while – their three most recent albums have all featured a track or two dedicated almost solely to Win bitching about the youth – but it’s never seemed so fatal.
The relentless ‘message’-ness and moralising of Everything Now – it’s about how we have everything now and infinite content has not made us happier – makes for pretty poor company most of the time, made worse by a smug sense of superiority and half-baked experimentation. Continue reading
Animal Collective//The Painters & Meeting of the Waters EPs
The perception of an artist’s’ prolonged excellence can often thank gradually reduced expectations for that longevity; same applies for Animal Collective. After the underwhelming but still compelling Centipede HZ. and the largely uninteresting Painting With, this year’s EPs have seemed like a resurgence – even if they’re not. Continue reading
Michael Kiwanuka // Limelight, 15 October
For an album whose mode is most often melancholic, Michael Kiwanuka’s Love and Hate translates into a surprisingly energetic, even joyous live experience. These aren’t radical reconstructions of the album’s original tracks, but they are injected with a vitality and momentum that unearths the latent funk buried in the album’s slow-build introspection. Continue reading